“Sticky entanglements of substance and feelings, of matter and effect are central to our contact with the world …these entanglements don’t require critical untangling… Instead what is required is a critically entangled contact with affective experience.”

Ben Highmore – Bitter Aftertaste

The work investigates the messiness of experience, motion, instability and ‘in-betweeness’ and as such is developed in vicinities where various disciplines merge. It engages with the value of not-knowing, with the ongoing-ness of process, and the passage from one state to another, connecting with the materiality of encounters. Working with the other means touching rather than mastering, whether it be drawing, sculpture, video, performance and curation. The work proposed for ‘House’ explores the generative potential of the collaborative project. Responding to the works of others in the group it operates as a connective tissue activating the space between.